I'm not particularly interested for the audience to leave, from the cinema or their own screen, with a kind of completely bleak point of view. In an interview with Polygon, Bier defended this decision, saying: "In a way, pretty much everything I've done has had some sort of a hopeful ending. In the book, Malerman has Malorie finding out that some people inside the school gouged out their own eyes to escape the monsters. Bier chose to have Malorie and her kids arrive at a school for people who are blind, appearing to have a bright future ahead of them. The book and film are similar, with the exception of the ending. Looking at one of the monsters can drive victims to die by suicide using whatever tools are at hand. Over the course of the film, we learn about the nature of the unseen entities and that you need to wear a blindfold if you go outside to protect yourself from them. First, as a fierce mother trying to protect her two young children from unseen monsters and, second, as a single woman who is pregnant for the first time and grappling with the onset of a mysterious apocalypse brought about by the monsters. Sandra Bullock's performance has been praised.ĭirected by Susanne Bier and based on Josh Malerman's 2014 novel of the same name, "Bird Box" is filtered largely through Malorie's (played by Bullock) experiences in two time periods. Malorie, who is pregnant, finds shelter with a small band of survivors, who have holed up in a house with the windows blacked out.Account icon An icon in the shape of a person's head and shoulders. To explain why, “Bird Box” must go back five years to the arrival of the threat, which we never quite see, except as shadows and a kind of static “wind” that lifts fallen leaves off the ground. ![]() But it’s not as dangerous as opening their eyes. It’s a dangerous journey, yes the river contains rapids. In the very first scene, we meet Bullock’s Malorie as she prepares to guide two small children, known only as Boy and Girl (Julian Edwards and Vivien Lyra Blair), down a river in a small boat - with blindfolds on. The film essentially begins at its climax, and then backtracks, via flashback, to the onset of the crisis, hopping forward and back repeatedly over a five-year gap, effectively destroying momentum. ![]() As a premise - which assumes that the sense of sight could open the door to accelerated madness and suicide - it has echoes of the masterful suspense thriller “A Quiet Place,” in which the slightest sound could be deadly.īut as these auspicious ingredients come together under filmmaker Susanne Bier, the Danish director of the Oscar-winning “In a Better World,” the dish never quite jells. Stir in a high-concept plot, inspired by Josh Malerman’s 2014 novel about a post-apocalyptic world in which people must navigate its terrors blind, lest they so much as look at invasive entities with the power to take on the form of one’s deepest fears. Drop them into a story adapted by Eric Heisserer, the Oscar-nominated screenwriter of the brainy sci-fi film “Arrival.” ![]() Start with a killer cast, headlined by Sandra Bullock, and featuring John Malkovich, Jacki Weaver, Trevante Rhodes, Sarah Paulson, Danielle Macdonald, Lil Rel Howery and Tom Hollander in supporting roles.
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